First up, Elizabeth Taylor wearing Edith Head's white tulle evening gown with floral bust from A Place In The Sun (1951). This was copied by department stores across the US, and was a big hit during prom season.
Elizabeth Taylor wearing Edith Head's grecian style evening gown in Elephant Walk (1954).
No list would be credible wiithout some of Marilyn Monroe's best dresses designed by the brilliant William Travilla. My favourite Marilyn dress is her dark pink number from the film How To Marry A Millionaire (1953).
One of Marilyn's most famous dresses is her bright pink one from Gentlemen Prefer Blondes (1953) when she performs' Diamonds Are A Girl's Best Friend.' Although this dress is gorgeous, I believe her bright orange dress and her gold gown (which you only see the back of in the movie because it was believed to be too revealing) are much more beautiful.
Next up in Marilyn's envious collection of gowns, are the tiger dress and the infamous white halter neck dress from The Seven Year Itch (1955), again designed by William Travilla. One thing I have noticed is that so many people mimic Marilyn and the other great stars who wore such beautiful gowns, but nobody wore the dresses like them.
And the last of Marilyn's gowns are two from There's No Business Like Showbusiness (1954)- her outfits in this film have received the same iconic status in fashion as her other gowns, but they are equally as gorgeous and spectacular, total credit to Travilla! Also here is her unbelievably sexy pink dress from Niagara (1953), a dress that sent people's hearts racing for the first time when Marilyn's stardom was just beginning to take off.
The dresses so far have been from the 1950s, now to have a splash of 1940s Hollywood glamour, and who is more perfect to look at than Rita Hayworth and her to-die-for wardrobe in Gilda (1946). Not just her 'Put the Blame on Mame' black, strapless, satin number, but her nightgown, her two-piece ensemble she wears when performing 'Amado Mio,' and her white/light blue? satin gown she wears when living with Glenn Ford.
The last of Rita's costumes that I adore are the ones she wore in the musical You Were Never Lovelier (1942). They are not her most famous, but they really are beautiful designs, involving some of the most glamorous looking materials that simply hug Rita's slender figure, making her appear like a true goddess.
Now what list would be complete without the effortlessly elegant Grace Kelly, and the gowns she wore in Alfred Hitchcock's Rear Window (1954) and To Catch A Thief (1955). In Rear Window, Grace plays one of the most stylish ladies in New York high society, and much like Liz Taylor's similar character in A Place In The Sun, Edith Head had to ensure that Grace was in gown's that were at the height of fashion. My favourite of these was the first dress we see her in, a classic white and black ensemble, finished with pearls, white gloves, and handbag - Grace looked immaculate.
The second gown of Grace's that I love, that features in To Catch A Thief, is not the white strapless chiffon evening gown, but the blue grecian style evening gown. This is probably my favourite dress out of all the dresses. Grace has a gorgeous golden tan in this film, and against the beautiful blue of the dress, she looks absolutely gorgeous - a real Helen of Troy.
Although all of these actresses and their gowns are iconic and seen as the epitome of style and glamour, none are more iconic than Audrey Hepburn and her wardrobe in Sabrina (1954) and Breakfast at Tiffany's (1961). Although Edith Head was credited with the costume designs of Sabrina, and won an Oscar for her work there, the three iconic gowns/outfits of the films that got people talking were designed by Hubert deGivenchy. One of these was the unusually designed white evening gown with black embroidery (forgive me I don't know any design jargon). When Audrey makes her appearance at the Larrabee party in the film wearing this gown, we all fall in love with her.
But of course, Audrey is most memorable for her outfits in Breakfast At Tiffany's. We all remember her character, Holly Golightly, walking down 5th avenue and six o'clock in the morning, in the most elegant black dress we ever saw. She has many lovely outfits in this film, my other favourite being her bright pink cocktail dress - she looks like a princess in this dress, particularly with her tiara.
And finally, last but by no means least - is the earliest of the gowns mentioned. I already written a blogpost for this particular gown, but I have to include it. The scarlet gown that Vivien Leigh wears in Gone With The Wind (1939) is, for me, the greatest of all the movie gowns. With it's ruby studding, scarlet feathers, and stunning design, this dress is breathtaking every time we see it. Designed by Walter Plunkett, this dress is the jewel in the crown for the epic - all of Leigh's costumes are spectacular, but none quite match the magnificence and majesty of this gown.