Showing posts with label gone with the wind. Show all posts
Showing posts with label gone with the wind. Show all posts

Sunday, 24 July 2011

Saving Private Ryan

When we think of Saving Private Ryan, the majority of us think of how Spielberg recreated the hell of the D-day landings. It ranks along with the greatest war scenes in film like those in Braveheart, Gladiator, and  the battles at Helm's Deep and Pelennor fields in the LOTR trilogy. Not only is the fighting on Normandy beach stomach-turning as well as captivating to watch, but a disturbing and horrific showing of the reality of war.

However, although this scene is out of this world incredible, and I could praise Spielberg all day for his work in it, I believe more credit should be given to the scene before the Normandy landings: the scene in the Normandy American Cemetery. As we watch this old man, clearly distressed, determinedly making his way to a place, which we do not know yet. His family follow behind as some sort of support. And then finally, as the old man stops to catch his breath, with a glimpse of the American flag waving in the wind, he starts walking again, slowly revealing one by one, those beautiful white marble graves. Pristinely kept, and stunning to behold, more and more of the graves appear. The camera pans upwards slightly so that we finally feel and see the sheer mass of graves there are in this cemetery. Stood side by side, immaculately presented, gleaming in the light- men who fought bravely on that unforgettable day are united together.

The great John Williams composed the score for this movie, and the music for this scene is one of my favourites. It begins with a very solemn and official trumpet, but then as the graves come into view, a weeping orchestra of strings bounds into action, swelling in a melancholy manor to reveal the breathtaking view of this overwhelming memorial. For me this is the genius of Spielberg- at it's most potent and yet it's most subtle. There are no special effects, fancy speeches, or odd camera movements.

What is so touching about the scene also is the fact that Spielberg lays out in front of us all of the men who died for us. We are here today because of their bravery. The fact that they are a small fraction of the overall number of heroes who died fighting in wars is another emotional punch, and I don't know how anyone cannot be moved to tears by that image of endless gravestones.

I would like to think that Spielberg got his inspiration in this scene from Gone with the Wind, when Scarlett is looking for a doctor because she needs help, but as she looks around, the camera pans upwards higher and higher, revealing thousands of others needing help too, and ending with a shot of all the bodies and injured men, and their flag in the foreground. Both scenes show the atrocities caused by war, and the scale of death and pain it causes. But they also show the bravery and patriotism that all these men possessed and fought with.That scene from Gone with the Wind is extremely powerful, shocking and moving, and what Spielberg created in Saving Private Ryan was equally so.

Thursday, 21 July 2011

The Greatest Gown in Cinema

Vivien Leigh
Some of the most beautiful dresses in the world have been made in Hollywood, particularly during the 1940s and 1950s. The most popular have achieved mythical status, like Audrey Hepburn's little black dress in Breakfast at Tiffany's (1961) and Marilyn Monroe's white dress in The Seven Year Itch (1955).

However, for me the greatest gown made in Hollywood is the red one worn by Vivien Leigh for her role as Scarlett O'Hara in Gone with the Wind (1939). Not only is it worn by arguably the most beautiful woman in film, but it is a triumph of dressmaking- with it's rubies, feathers, and overall breathtaking appearance. It mirrored the strength, presence, boldness and striking beauty of it's wearer, and is perfect for the scene it was made for. Scarlett is about to enter a party where all its guests are gossiping about her, maybe even calling her a 'scarlet woman', and definitely believing that she would not have the nerve to come along. But, even though Scarlet was reluctant to go, Rhett forces her, questioning whether she has the brashness to go into 'the lion's den'. Of course Scarlett holds her head high and enters the room with regal defiance and elegance, much to everyone's surprise and annoyance.

If ever a dress succeeded in making a big entrance, it was this stunning red gown designed by Walter Plunkett. All the costumes designed for Gone with the Wind are masterpieces, but this one is the ultimate show-stopper.