BEWARE! SPOILERS OF THE FILM AND FUTURE FILMS!!
I don't think that any film director has had more pressure on them, nor higher expectations to meet, than Peter Jackson did with his latest film. I have long understood that to expect the same excellence and success of The Lord of the Rings Trilogy was beyond optimistic; there is no way that he nor anyone else would be able to create the same magic. Although some do have qualms with those films, every time I watch them, I see them as flawless pieces of masterful movie-making, and I can't imagine any other film, nor series of films, that can match it's sheer brilliance in storytelling. Jackson in that sense, is his own worst enemy, because he has set a benchmark that he will never again live up to, but in return for that he has the legacy of LOTR. So yes, there was a lot of expectation, and even though I knew it could never be met, I still had this speck of hope that somehow Jackson would conjure something equally mesmerising.
After reading the book The Hobbit last week, it became obvious that in order to make the story into three, epic films, Jackson and his crew would have to make up their own narrative from events only assumed, mentioned, or hinted at in the book itself, whilst patching that with details from Tolkien's The Silmarillion. Having said that, I can't imagine how he will be able to make the next two films as long, nor as action packed. The second film of the saga I expect will be mostly concerning the journey through Mirkwood forest which does have a lot of action in it but will mostly be set in the forest itself... this may cause problems. As for the final film, it it likely to primarily concern The Lonely Mountain. It will be very interesting to see how Jackson makes these next two films as full as the first. Anyway, enough of that and now onto the film itself. The first instalment of The Hobbit Trilogy.
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The best bit about this scene was Thorin (Richard Armitage). He is very convincing as a dwarf king who has lost what is rightfully his, and Armitage plays him with a fantastically regal, moody manner. However, even I felt that Armitage held back or was limited by the material he was given. Don't get me wrong I found him really cool and he is instantly likeable, but I didn't find myself rooting for him like I did with Aragorn in the LOTR. The Misty Mountains song that the dwarves sang added great atmosphere to this dull meeting - it was darker, gloomier, moodier, and did more for the woe of the dwarves and their plight than any of them had in the last 45minutes.
Martin Freeman as Bilbo is perfect from the word go. I warmed to him straight away and really felt like this was Bilbo when he was young. For one he is adorable, and his naivety makes us feel similar to him because we don't really like the dwarves or know what is going on ourselves. What I really thought was done well was the showing of Bilbo's personal journey and experiences as he transforms from someone who doesn't like surprises and who doesn't leave the Shire, to a brave and adventurous person. When the dwarves descend on him and make a mess of his house, Freeman really looked irritated but also a little hurt at the rudeness of the people who have ruined his home. I'd say that Freeman is the best thing about The Hobbit; without him I don't think the film would have been as effective. He gives a flawless, well-thought out performance that is bound to improve with every film. Thankfully, you can breathe an enormous sigh of relief once the dwarves have left Bilbo's home, because the film picks up from that point onwards, and it gets better and better with each scene.
The journey takes Bilbo, Gandalf (reprised brilliantly again by Sir Ian McKellen), and the dwarves over the edge of the wild, and Jackson and his team definitely create the feeling that these lands are untamed and mysterious. Even though the Middle Earth in LOTR was always scary and dangerous, it still had a feeling of order. Gondor, Rohan, Lorien, Fangorn, Mordor... it all felt like there was civilisation there, and people had good knowledge about each place, even if it was an evil one. With The Hobbit, however, there is a feeling of the unknown. There is an evil in the forest of Mirkwood that has poisoned all that lives there, a Necromancer (we know who that is) dwells in Dol Guldur, a ferocious dragon still lives in The Lonely Mountain and terrifies all who live near him... yes the lands travelled in The Hobbit give a sense of the wilderness and immense danger. All credit to Jackson, I was consistently nervous and scared of the surroundings and landscape which we'd encounter in The Hobbit.
That saying, I did feel like each new location was not introduced well. In the LOTR I felt that the camera always set-up to us that we were in a new place or new realm, e.g. now we're in Rivendell, this is Moria, or here is Lorien. In The Hobbit the locations weren't properly introduced, leaving me slightly confused and guessing where they were - but then maybe that was purposefully done to mirror the wildness of the locations.
I thought it was brilliant how they made the three trolls on the mountain side cockney. I don't know why but somehow it worked, they all sounded like East-End thugs and even though most of the orcs in LOTR had a cockney twang of some sort, these trolls would have looked right at home in the soap opera EastEnders. Although they were stupid they were also frightening; I felt a little sick at the thought they were ready to eat the horses, the dwarves, and Bilbo.
One character I did not like was the Goblin King. To me he seemed like a complete imbecile that just waved his arms around all the time and cracked really bad jokes. He didn't scare me at all, when in reality he should have been terrifying. Why make a villain an idiot? It ruins the atmosphere completely, especially if you want us to feel that everyone is in danger. The goblin caves were impressive though, and the final chase of Gandalf and the dwarves out of the caves was spectacular. Quick and fast, I felt as if I were being chased by goblins too, and the immense speed of it all, as well as the camerawork, are something to behold.
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Regardless of how happy I was to see Gollum, or how riveting the riddles were, even this scene dragged with one or two riddles too many. I kept expecting them to end, but there were more. I have a feeling that Jackson included every single riddle from the book that is exchanged between the pair, but again - don't think that that worked cinematically. I suppose by using all of the riddles revealed to us how clever and resourceful Bilbo is, as well as how angry, murderous, and devastated Gollum becomes when he loses the ring. What it does do brilliantly, is reveal how deep in the Misty Mountains Gollum lived for so long - alone with the ring. Nor wonder he became so consumed and corrupted by it.
One thing which I detested was the character of Azog. He looked super computerised, and so did many of the other characters in the film. I was really amazed at how horrific and scary the make-up department made characters in the LOTR, like the deformed orc Gothmog in The Return of the King. So much effort was made so that he looked like a real monster, and yet with Azog here, he just looked like an uglier version of Voldermort. I know that prosthetics and make-up cost time, money, and are uncomfortably as hell to wear but the effect is so much stronger. It is because of that that they fell short here... Azog was not scary, primarily because he looked fake. It didn't help that he just seemed to grunt and had boring lines to say. Even the moment where Azog and his gang of orcs surround Bilbo and the gang on trees that are on fire and falling off of a cliff, he just seemed really dull and hardly the huge force to reckon with that he is made out to be.
Leading on from that, there was one major problem with this film. There are endless near death misses and traps, but Jackson and his crew failed to show them as seamlessly in a flowing narrative like they did with LOTR. Let's compare, in The Fellowship of the Ring we have so many close shaves: the hobbits with the Ringwraiths in the woods, Arwen and the wraiths, the Crebain on the mountain side, Saruman making the mountains avalanche and force the fellowship into the mines, the giant squid, the goblins in the mines and the troll, the Balrog, and finally the Uruk-hai. Not once in that film did I feel like the narrative was disjointed and wobbly, and like 'here we go again, another near death experience.' However in The Hobbit it did. It felt so stop and start-y, that I found myself thinking 'oh no, not another near death experience'. This is nothing wrong with the story itself, but it does show that something wasn't quite right in the script, or the way that Jackson planned the film.
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I am so curious to see how they show the dragon Smaug (although we do get a glimpse of his eye at the end of this film) and am very interested to see how they develop the story with the Necromancer. I am dreading the scene with the great spiders in Mirkwood though - beware all fellow arachnophobes, this will probably be our worst nightmare if the book is anything to go by. Give me Shelob anyday!
I asked a friend what he thought of The Hobbit before I went to see it, and he said The Hobbit is a child's book. Don't expect seeing something as serious as The Lord of the Rings. And he was completely right. It is a children's tale.
Additionally, for people who complain about changes made from the original story, I read a fascinating article where the writer explained how Jackson's alterations and amendments to the story were to help merge and connect the story of The Hobbit more fully with LOTR. We have to remember that The Hobbit was written first, and it was only when his publisher's asked him to write more that Tolkien wrote LOTR. If he had LOTR in mind before he wrote The Hobbit then it would have fitted together more perfectly, but Jackson has done that for us here. This is the article for anyone who is interested in a comparison between the film and the book: http://arstechnica.com/staff/2012/12/a-tolkien-nerds-thoughts-on-the-hobbit-an-unexpected-journey/
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Overall, I happily give this film a rating of 7-7.5/10.
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